Felix Gonzalez-Torres, “Untitled (The End),” 1990, offset prints on paper, endless copies, installation view at Andrea Rosen Gallery, New York, 1990, photo Peter Muscato
Felix Gonzalez-Torres, “Untitled” (America), 1994, Light bulbs, waterproof rubber light sockets and waterproof extension cords; Installation view, Wiels Center for Contemporary Art, Brussels, Belgium, 2010, Photo: Sven Laurent
Felix Gonzales-Torres, "Untitled," 1995; one of twenty-four billboards throughout New York, presented by Creative Time, December 2000.
Felix Gonzalez-Torres, “Untitled,” 1992/1993, offset print on paper
Tatiana Trouvé, “350 Points Move Toward Infinity,” 2009, Plumb, magnets, metal, 14.9 x 31.2 x 31.2 feet
Guo Hongwe, “Untitled (Perfect Lovers), 1991”, 2013, Collage on paper, 44 x 63.4 cm
Tacita Dean, pages from “FLOH,” 2001, limited edition book
Analia Saban, “Representation of A Chair,” 2011, Acrylic on canvas, 48 x 48 x 4 in.
Mark Manders, “Room with Broken Sentence,” 2013, Dutch pavilion at 55th Venice Biennale (detail)
Mark Manders, “Room with Broken Sentence,” 2013, Dutch pavilion at 55th Venice Biennale (detail)
Mark Manders, “Room with Broken Sentence,” 2013, Dutch pavilion at 55th Venice Biennale (detail)
Jan Kempenaers, “Wreck,” 2010
Mark Manders, “Room with Broken Sentence,” 2013, Dutch pavilion at 55th Venice Biennale (detail)
Mark Manders, “Room with Broken Sentence,” 2013, Dutch pavilion at 55th Venice Biennale (detail)